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- Apr 28, 2015
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Here is a quick test i did today shot in 4K and uploaded in 4K with the SRP ND8/CP. Filter is heavy, but gimbal handles it fine, and horizon stays perfect. Only suggestion would to face your lens straight down before powering off as when you do it swings down fast. Colors/clarity is great, SRP nails it again. Will get the ND16 when it comes out next.
Do you guys recommend always use a cp or its better to order the cp nd8 and nd8? If you could order 2 filters which one did you choose from srp?
I didn't know that, thank you very much for that info, I like very much the srp filters, the quality is awesome, no doubt they are the best.If I were only going to order 2 from SRP - without a doubt I'd get the ND8/CP and the ND16/CP. Keep in mind since you have to rotate a CP filter to set it to it's "sweat spot", adversely you can rotate it to it's weakest spot. Then the filter is just an ND8
It's my understanding that the ND16/CP will be available REALLY soon.
Yeah this is important. When you get the CP look closely through it with one eye, at the sky, and rotate it as you look through it. You'll see the sweet spot appear as you rotate. The sky will turn into deeper blue while leaving the clouds to pop even more. When you see the sweet spot, stop rotating and make a little mark on the very top center of the filter edge with a pencil. Now you know exactly how to install it on your P3 (with the mark centered and on top) for optimal results.I didn't know that, thank you very much for that info, I like very much the srp filters, the quality is awesome, no doubt they are the best.
Did you shoot in log or normal color? Did you do any correction post prod?Here is a quick test i did today shot in 4K and uploaded in 4K with the SRP ND8/CP. Filter is heavy, but gimbal handles it fine, and horizon stays perfect. Only suggestion would to face your lens straight down before powering off as when you do it swings down fast. Colors/clarity is great, SRP nails it again. Will get the ND16 when it comes out next.
Did you shoot in log or normal color? Did you do any correction post prod?
Great! This is what I figured. When you want high saturation, then it kinda defeats the purpose to film in Log. Now I just need to think through the type of shots where I will use ND/CP filter with normal color vs ND only with Log and manual sat and contrast adjustments. Soo much to consider to get that perfect shot. Less than Two weeks from my road trip and I'm pulling together my list of shots/settings.With this filter i was using normal. The filter was set to take advantage of the CP (another great tip is to look through it at a computer screen, when everything goes black that is full strength). I played with things post in FCPX but it didnt take too much.
I just got my SRP ND8/CP filter this is a great tip. I read the instructions and did some test flights. ThanksYeah this is important. When you get the CP look closely through it with one eye, at the sky, and rotate it as you look through it. You'll see the sweet spot appear as you rotate. The sky will turn into deeper blue while leaving the clouds to pop even more. When you see the sweet spot, stop rotating and make a little mark on the very top center of the filter edge with a pencil. Now you know exactly how to install it on your P3 (with the mark centered and on top) for optimal results.
If I were only going to order 2 from SRP - without a doubt I'd get the ND8/CP and the ND16/CP. Keep in mind since you have to rotate a CP filter to set it to it's "sweet spot", adversely you can rotate it to it's weakest spot. Then the filter is just an ND8
It's my understanding that the ND16/CP will be available REALLY soon.
I thought this thread was about SRP Filters???????OK here's my half ***'d review on my Polar Pro 3 pack I just got. Overall I'm impressed and satisfied.
So for $60 usd. You get a CP, ND4 and 8. And 3! Microfiber pouches to store them separately. Obviously glass. Gimbal sags when off but no obvious issues with bird powered up. They're super light.
One thing I did notice with the CP is that the logo on the housing is perfectly printed to where it's horizontal for full polarizing. So I lined up the logo with "4k" logo on camera and I know it's the sweet spot.
They DIDN'T come with little o-rings as I see the stock one does. But being that the cp is the only one needing rotation, I'll just take stock o-ring out of the stock lense. No biggie.
For getting the old lense off I found a super easy trick. Being a mechanic I had a small oil filter strap wrench (pictured) which is rubber and perfectly loosened the lense without any effort.
Also pictured is a test photo. Stock lense and full polarizing. Too windy and hot to fly but you get the idea. The shadows are more vivid. And the sky blue is deeper. Settings were iso 100 and shutter of 500 or something can't remember but definitely iso 100.
Anyway I think that's it. I'd recommend the 3 pack to anyone. Cost, weight, and items included. Worth it.
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Stock Lense.
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Polarizer.
I thought this thread was about SRP Filters???????
My bad..."Polar Pro vs Snake River" is what I'm seeing on my screen...
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