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- Apr 21, 2015
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Tom,
The P3P won't combine them, but it takes 3 (or 5 depending on your settings) in rapid succession. This happens much faster than you could shoot, adjust exposure, shoot, adjust exposure...
Its on you to combine them afterwards. There's a ton of programs that do "HDR" Note that what these programs really do is known as tone mapping. It's usually done to a cartoon effect, but it doesn't need to. You can use the darkest exposure to pull details out of the shadows and the lightest exposure to retain details in the highlights. It adds a significant amount of work to the post-processing but you can end up with an image that has a much broader (and more appealing) dynamic range than the camera is capable of itself.
As for the movement in the water, I'd just take the exposure that you like the best and use that images water. This workflow usually ends up being stacked images in Photoshop.
The P3P won't combine them, but it takes 3 (or 5 depending on your settings) in rapid succession. This happens much faster than you could shoot, adjust exposure, shoot, adjust exposure...
Its on you to combine them afterwards. There's a ton of programs that do "HDR" Note that what these programs really do is known as tone mapping. It's usually done to a cartoon effect, but it doesn't need to. You can use the darkest exposure to pull details out of the shadows and the lightest exposure to retain details in the highlights. It adds a significant amount of work to the post-processing but you can end up with an image that has a much broader (and more appealing) dynamic range than the camera is capable of itself.
As for the movement in the water, I'd just take the exposure that you like the best and use that images water. This workflow usually ends up being stacked images in Photoshop.