32 could be useful on bright days and the 64 could be useful if you ever fly over snow covered ground.
Perfect. Thank you.
Terry
32 could be useful on bright days and the 64 could be useful if you ever fly over snow covered ground.
I can't recommend the PolarPro filters enough! If you are looking for a "film" look, cutting your shutter speed to 1/50th (for 24 fps shooting), you'll want the Cinema Series. Keep the ISO as low as possible and you'll be using the higher ND filters as your default, even on days when it's not super sunny and you're not over snow, water, or desert. Shoot log color and manual settings for everything else if you can. Lots of good YouTube videos out there explaining ideal settings and how to later grade your footage in post, but learn to use the histogram and exposure meter in the DJI GO App to assist you.
I haven't experienced any extra weight drawbacks, but I'd avoid anything other than just the filter on your camera (so, don't use a lens hood or a pop-on filter). I also haven't had the discoloration issue some report with the regular filters from PolarPro.
So I shouldn't be concerned about the slip-on filters, I take it?Drone-world makes an awesome set of polarized ND filters and they come in a great case as well. I like the polar or but they pale compared to the quality and precision to the ones from drone-world. Also, unless you are modifying dslr filters they aren't going to be an issue. Our servos are not so precise that they have zero power more than exactly needed to move in a non-flying and still envronment. They hAve wind and high speed maneuvers working against them. A filter will not make the difference. Myth (as far as overloading the gimbal).
So I shouldn't be concerned about the slip-on filters, I take it?
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